animatronics puppets SFX
Creation of the exploding geisha heads for practical VFX element replacement shots in the Ghost in the Shell live-action movie.
Fabrication of VFX replacement horse riding rigs for Disney's live-action movie, Mulan.
A dying Goblin creature character for Gollum's opening scene in the Peter Jackson movie.
Mechanic build and electronics for the life sized polar bear used to promote the Sky Atlanic tv series "Fortitude"
Animatronics and additional on set puppeteering for Asylum Models on the Tales of The Riverbank movie.
Animatronic 'Mole" head for Ray Grigg's production of "Wind in the Willows" currently in development.
Part of the animatronics and stilt development crew for the Professor Lupin werewolf transformation in Harry Potter 3.
Design & constructed of the mechanical elements of 'The Bombe' decoding machine with DB Props for the Alan Turing biopic "The Imitation Game".
Rebecca Negan operates animatronic Vogon arm on set of Hitchhikers Guide to the Galaxy.
Mechanical head build and electronics supervision for animatronic black bear used for the BBC tv period drama "Our Zoo"
Design and build for the mechanical elements of the elephant and tiger characters for the Chichester Festival production of "Running Wild"; Revived at The Open Air Theatre, Regents Park in May 2016.
Collapsing mechanical rig for Westray's decapitation on a London street in Ridley Scott's movie The Counselor.
Latest Update: August 2021
Currently based in Wellington, New Zealand where I have been working on a number of practical Special Effects creature and puppet projects since 2007 for the teams at Weta Workshop, NZFX and DCFX on The Hobbit - An Unexpected Journey, Ghost in the Shell, Disney's live-action Mulan, and the forthcoming Amazon TV series of Lord of the Rings.
In between stints in NZ I have been lucky enough to continue working with the creative, talented people at Millennium FX in Aylesbury & Applied Arts in London on various TV, film & theatre projects - including prototyping illusions with Paul Kieve for the new Disneyland Paris stage show Mickey and the Magician and the recreation of the iconic Cybermen in Dr Who. More recently I formed part of Infinity FX's crew for the battle sequence shoots on the Netflix movie The Outlaw King on various locations in Scotland.
Other recent projects include bringing a full-sized polar bear to life on the streets (and trains) of London and Berlin promoting the new Sky Atlantic TV series Fortitude, making mechanical babies for series 5 of the long running BBC drama Call The Midwife, and puppeteering an animatronic gorilla for the Spanish children's movie Zipy y Zape y la Isla del Capitán - all for Millennium FX (UK).
In spring 2015 I undertook early development work in the Creatures/Makeup Effects Department for the Disney live-action remake of Beauty and the Beast, followed by more R&D and mechanical movement for the puppets used in the outdoor promenade production of Running Wild for the Chichester Festival Youth Theatre (acclaimed as the 'Best Show For Children and Young People' at the 2015 WhatsOnStage Awards); subsequently re-staged at Regents Park Open Air Theatre, London in their 2016 summer season.
My first job back on the south bank in London in a while at the newly expanded National Theatre Props Department was transforming a golf buggy into a 'Heath Robinson-style' bus for the MIF/NT production of Damon Albarn and Moira Buffini's Wonder.land (designed by Rae Smith), which ran in London on their Olivier stage as well as the 2015 Manchester International Arts Festival, and the Théâtre du Châtelet in Paris.
Prior to this: I formed part of the Creatures Inc. animatronics crew building a collapsing Ox for the Ridley Scott epic Exodus, assisted on SFX pickups for the Rob Marshall helmed film adaptation of Sondheim's Into The Woods (Infinity FX) and joined the team at Millennium FX for their animatronics build for season 3 of CBBC's Wizards vs Aliens and the BBC1 TV drama Our Zoo.
At the same time I was fortunate to work on the Alan Turing biopic The Imitation Game; designing/engineering (and operating on set) the mechanics required to recreate Turing's 'Bombe' machine, "Christopher", which features heavily throughout the Oscar winning movie (DB Props).
After getting to 'go through the portal daily' on the second series of "Yonderland" (from the writers of CBBC's Horrible Histories) in Autumn 2014 I was able to return to the theatre, making a mechanical miniature Carousel for the Menier Chocolate Factory production of "Assassins", directed by Jamie Lloyd (Marcus Hall Props) after which it was briefly back to the world of movies and TV for the latest installment of Mission Impossible (5).